2018 recital series
concerts that excite & inspire
2018 recital series
concerts that excite & inspire
An initiative of well-known Sydney violinist, Dan Elliott Russell, the Phoenix Collective showcases classical music with a uniquely Australian edge. An accomplished performer here and abroad, Dan collaborates with some of Australia’s most unique, talented and high profiled musicians in a captivating recital series.
The Phoenix Collective Recital Series offers a feast of different genres. The virtuosic flair of Italian Baroque, the charm behind Mozart’s genius, passionate Argentinean Tango and the father of Nuevo Tango , Astor Piazzolla, the intense emotions of the late romantic and the meditative calm of minimalism, all set in intimate, iconic heritage listed venues across Sydney and the Central Coast.
Concerts that will excite & inspire
Find us elsewhere:
concert #1 - Charm & Tradition
This concert features Carl Schmidt on piano and Dan Russell on violin. Performing a stunning program of meditative, wholesome, romantic and virtuosic chamber music. Works by PÄRT, MOZART, BRAHMS and FRANCK.
concert #2 - Excitement & Flair
Christian Lillicrap plays a French double manual harpsichord, together with Dan Russell on violin. An exciting program full of virtuosic Italian Baroque music by TARTINI, CORELLI, BIBER, VIVALDI and J.S BACH.
concert #3 - Heart & Soul
Showcasing Anthony Garcia [QLD] as guitarist and composer alongside violinist Dan Russell, the two embark on a spiritual and eclectic journey of improvisation, arrangement and composition. Sparse and minimalist to rhythmic and passionate.
concert #4 - Tango Origins & Passion
A legend in her own right, Maggie Ferguson on bandoneon and is joined by violinist Dan Russell. The two explore early and traditional works from the birthplace of Tango, Buenos Aires and works by the father of Nuevo Tango, Astor Piazzolla.
Fratres - Arvo Pärt
Sonata in E min K304 - W.A Mozart
Scherzo - J. Brahams
Sonata in A Maj - Cesar Franck
Sonata No.3 in F - H.F Biber
Sonata Op.2 - A. Vivaldi
Sonata Op.5 no.12 (La Folia) - A. Corelli
Sonata for Violin & Harpsichord - J.S Bach
Sonata in G minor (Devil's Trill) - G. Tartini/F. Kreisler
Improvisations - Garcia/Russell
Offering - A. Garcia
History of Tango - A. Piazzolla
2 part inventions - J.S Bach
3 Nocturnes for violin & guitar - Burgmüller
Grand Sonata for violin & guitar in A - Paganini
La Llamo Silbando - Salgán
El Choclo - Villoldo
Melancolico - Linetzky
- Astor Piazzolla
Carl Schmidt is Head of the Piano Program and Course Coordinator for Accredited Courses at Central Coast Conservatorium. He holds a 1st Class Bachelor of Music from Sydney Conservatorium of Music. In 2005 Carl was awarded a Masters Degree in Piano Performance from the Royal Conservatory of The Netherlands. Whilst living in Europe, he gave regular performances and was invited to appear in the 2004 International Chopin Festival held in The Hague and with Steve Reich during the 2003 Steve Reich Festival. He has recorded the complete Chopin Preludes and the Brahms Fantasien Opus 116 and has been soloist with Symphony Central Coast, Balmain Sinfonia and Sydney Youth Orchestra. He was a recitalist for the Sydney Conservatorium's Virtuoso Piano Series and was a lecturer and performer at the 2008 Summer Piano Teachers' Festival. He has given numerous Workshops, Recitals and Master Classes for the NSW Music Teachers' Association and for other musical organisations state-wide. Carl is also an examiner for the Australian Music Examination Board (AMEB).
Christian Lillicrap was born in England and studied at the Royal College of Music in London with Colin Horsley and Ruth Gerald. Whilst still a student he specialized in chamber music and accompaniment and performed amongst others, with Paul Cassidy (Brodsky Quartet), Rachel Isserlis, Michael Evans (Dartington String Quartet) and in piano trios and chamber groups. He also worked as musical director for the Barbican Theatre Company and London Extemporary Dance.
Christian’s teaching career, brought him to Sydney in 2000 to work at Glenaeon Rudolf Steiner School. He worked there for 12 years until 2012 and recently completed writing the Music Curriculum for Steiner Education Australia. He has worked extensively for the Sydney Eurthymy Company as their pianist.
In 2002 he formed the Aeon Chamber Ensemble with members of the SSO and AOBO and they have performed regularly since then.
Christian also has a regular partnership with Roger Benedict, principal viola player with the SSO and recently collaborated with Andrew Hines in a performance for the Australian Ballet’s Body Torque. Christian is accompanist and performance coach at Knox Grammar School.
"Anthony’s performance was full of surprises! Innovative patterns constantly challenge the listener, and the audience loved the dreaming nature of his music. Anthony’s presence on stage oozes confidence"
-Zoli Mauritz, AD, Music By The Sea Festival
Whether he’s performing experimental music in New York, collaborating with his students at the Mayan Pyramids in Mexico or jamming under the stars in Outback Australia acclaimed guitarist/composer Anthony Garcia’s artistic practice reflects a musical freedom that defies simple categorization. His exploratory approach has generated a highly personal musical style that fuses the ancient with the contemporary, ethnic musics with exploratory improvisations, pulsating world rhythms and Asiatic soundscapes. Performing throughout Australia, China, Thailand, Japan, Mexico, Europe and the United States and Europe, as a solo artist and in collaboration with creatives from a range of fields Garcia has nurtured a deep appreciation for diverse musical cultures, genres and creative philosophies.
A large body of compositions for guitar, chamber music, contemporary popular music, ethnic music as well as music for film and documentaries accompany solo recordings, Skyflyer (2004) and Malili Dreaming (2007), and award winning collaborations with Sandra Real (Zarabanda, 2008) and didgeridoo master William Barton (Desert Stars Dancing, 2010). His creative output, supported by a passion for research and education, culminated in a doctorate in music, awarded by the University of Tasmania in 2015. This research, centered in the art of improvisational practice, has been followed by research into cross-cultural practice, teaching artistry, music/health and wellbeing and music and mindfulness.
Garcia’s passion for unifying the interlocking fields of musical performance, composition and education has informed ongoing pedagogical experimentation in schools, universities and the broader community and led to the recent establishment of Sounds Across Oceans, a new music organisation dedicated to exploring ‘the multidimensional capacity of music to create and share new ideas, uplift, heal, shift energies and ignite new perspectives.'
After two decades as a classical violinist and chamber musician, Maggie Ferguson went to Buenos Aires to study orchestral tango at the Escuela de Tango Emilio Balcarce. With the support of The Ian Potter Cultural Trust, she returned each year to play with the Orquesta Escuela de Tango Emilio Balcarce under the direction of Maestros Emilio Balcarce, Carlos Pazo, Walter Rios, Jose “Pepe” Libertella, Nestor Marconi, Victor Llavallen, Leopoldo Ferderico, Ariel Espandrio and Ramiro Gallo.
She has performed at the Biblioteca Nacional, La Casa del Tango, Clasico y Moderna, La Viruta and on LA2x4 FM live tango radio. In 2007, Maggie began bandoneon studies with professors Santiago Polimeni, Camilo Ferrero and Ramiro Boero. Each year she visits Argentina to work with colleagues and collect priceless repertoire.
In Australia she performs with her quintet MFT tango & Friends on violin and bandoneon. The concerts are specially crafted to present a musical tango journey throughout the 20th century, incorporating tango history, styles, composer anecdotes, the dance and some joyous audience participation.
Maggie recorded Tango Project Loca Bohemia in Buenos Aires on violin and bandoneon with a quartet of Argentine tango virtuosi. Produced by Ignacio Varchausky (2009 Latin Grammy Award), the tangos are arranged by Andres Linetzky, German Martinez and Maggie Ferguson.
In 2014 Maggie was invited to film 'Quejas De Bandoneon' (Bandoneon solo) as Australia #39 representative for 100 Bandoneons 100 Cities.
Maggie Ferguson plays an Alfred Arnold (AA) Premier bandoneon made in 1936.
“...and here Russell achieved an exquisite translucence in his violin’s upper register...”
- John Shand, Limelight Magazine
Dan has played the violin since the age of 5. He holds a Bachelor of Music from UWA, and an Advanced Diploma of Performing Arts (Music) from WAAPA, winning multiple scholarships, awards and prizes. Dan studied under the direction of respected violin teachers Paul Wright and Alan Bonds and has had lessons and master classes with prominent violinists and teachers such as Mincho Minchev, David Takeno and Prof. Sylvio Krause in Essen, Rostock and London.
Dan is a well known violinist in Sydney, having worked as first violinist of the Australian Art Quartet, the Australian Opera and Ballet Orchestra, Canberra Symphony Orchestra, Sydney Philharmonia, concert master of The Metropolitan Orchestra (2011-2012) and other chamber ensembles. He has also performed in Europe and China and travels abroad with the Kammer Philharmonie Köln (Chamber Philharmonia Cologne) having performed with them in Germany, Spain, England, Wales, Ireland, France, Belgium, New Zealand and Australia.
Dan recently has been appointed concert master of the newly formed Coast Opera Australia.
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Central Coast Conservatorium
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